Marylou is convinced that life writes the best stories. The girl is sure to be the son of the world-famous film producer Makintosh, who is sitting on the side of the trolley, traveling across the great ocean and only encountering the great fairytale that will take her to a large hotel in southern France. But there’s also a story that Hollywood couldn’t imagine being more beautiful: an eccentric child, her son, and a linguistically inclined hotel guest who, through the circumstances, is enveloped like a roommate. “Call, the first” is the theme of the expected class exit, performed by the fun and varied music of Paul Abraham, from the waltz to the foxtrot and from the exits to the clapping. Finally happy included!
Comedy operetta in two acts by Paul Abraham with a prologue and epilogue based on Alfred Savoir by Alfred Grünwald and Dr. Fritz Löhner-Beda Practical stage reconstruction of the music by Henning Hagedorn and Matthias Grimminger. In German with surtitles
Orpheus, a famous musician, is bored with his unhappy marriage to Eurydice and sees her death as a chance for freedom. The gods send him to the underworld to bring her back, but he discovers that the underworld is a place of pleasure and hedonistic lifestyle. Orpheus is torn between saving Eurydice and the lure of the underworld. Eventually, the gods agree to let him take her back to the upper world on the condition that he does not turn around to look at her. On the way to the upper world, they encounter a wedding party and experience wild parties. Orpheus gives in to temptation and turns around to see Eurydice, which leads to him losing her again. In the end, he is relieved to be free from his marriage and to start a new life in the underworld.
Opéra-bouffon in two acts by Jacques Offenbach. Mixed version 1858/1874. Libretto by Hector Crémieux and Ludovic Halévy. In German text version by Ludwig Kalisch with additions by Frank Harders-Wuthenow.
»Imagination gives me wings, […] in my thoughts the whole world belongs to me.« Although Ella is oppressed by her stepmother, the girl wants to take responsibility to make her world a better place. When the prince is looking for his future wife at a ball, she tells him about the conditions in his country: In addition to her own happy ending, she wants major political reforms. Not an easy task, but luckily there is the good fairy Marie… Inspired by this drive, the entire production is climate-neutral and dedicated to sustainability: The musical CINDERELLA introduces the new modular stage design. Ella shows us that there is a magical power in all of us to redesign our world!
Music by Richard Rodgers. Lyrics by Oscar Hammerstein II. New book by Douglas Carter Beane. Original book by Oscar Hammerstein II. German version by Jens Luckwaldt. Orchestration by Danny Troob. Musical arrangements by David Chase. Additional lyrics by Douglas Carter Beane, David Chase and Bruce Pomahac. In German with German and English surtitles.
BIO I was born and raised in Mendoza, Argentine. ?? After school, I moved to Buenos Aires, where I attended the UNA – National Art University and the National Ballet & Modern Dance Conservatorium. I furthered my formation at the Theater & Musical Theater School and the national Circus School. I’ve developed my artistic career in Latinamerica and Europe.
I moved to Paris, France ??, in 2011 and since 2013 I live in ? Düsseldorf, Germany. ??
? and 5, 6, 7, 8 !
Of all the art forms which I have learned throughout my career, dance is by far my biggest passion. Having begun with a base of classical ballet, the time at the Argentine National Ballet marked my way. After the Ballet times, I’ve enjoyed the dance from many different sides: Modern Dance Companies – TV Shows – Publicity – Show Business.
I’ve been creating also as Choreographer since young ages. In 2018 I founded Tempecy – Modern Dance Company, with base in Estonia. With this Company I have been able to use all art forms I’ve learnt to develop my work in a more well rounded way as a Director and Choreographer.
? TO BE, OR NOT BE…
Mother – Actress. Father – Actor…
it’s easy to see that the theatre is in my blood!
As Actor and Musical Performer, I’ve played main roles in musicals as The Phantom of the Opera, West Side Story, Kiss Me Kate, Evita, Chicago, My Fair Lady, Hairspray, Wicked, Fiddler On The Roof and Romeo & Julia, and in plays as A Streetcar Named Desire, The Tempest, The Robbers, Shakespeare and The Queen and Lysistrata, among others.
? Acrobatic background
I discover myself as an aerial artist at the age of 22. Yes, quite late, right? But that didn’t stop me to go my way. As Circus Artist, I’ve performed for diverses Circus Companies, as Circus Pikard (AU), Les Arenes de Nanterre (FR), Circus SOQ (AR) and important acrobatic shows all around Europe and Latinamerica. In 2015 I represented Germany at the International Circus Festival GOLDEN KARL 2015, in Riga, Latvia.
? FITNESS – the other side
I’ve also developed myself in the fitness branche. I discover my passion in the fitness world when I was 16 I never stopped spreading myself there since then. From the classic versions of step and aerobic classes until nowadays, I’ve discovered my own way of connecting my dance knowledges with the fitness market and today I develop my place in the Fitness Industry, international level.
Theater Bonn, Bonn, Germany.
Dir: Gil Mehmert / Choreo: Kati Farkas
Role: Ensemble + Tango Dancer
03.2018 – 06.2018
Operetta by Franz Lehár
The Count of Luxembourg
Deutsche Oper Am Rhein
Düsseldorf / Duisburg, Germany.
Dir: Jens-Daniel Herzog / Choreo: Kati Farkas
Role: Dancer – Black Swan
11.2017 – 05.2018
Musical by Cole Porter, Samuel & Bella Spewack
Kiss Me, Kate!
Neue Operette Düsseldorf
Dir: Polanca Olszac / Choreo: Iván Keim
Show on Tour, Germany.
Role: Hortenio / Paul
03.2018 / 09.2018
Dance Camp / Seminar
Shaté Summer Dance Camp 2018
Training for show and competition groups.
Choreographies for shows and competitions.
Lyrical Jazz / Theater Jazz / Show Jazz – Adults / Juniors / Kids.
Teatro Opera City, Buenos Aires, Argentine.
Dir: Harold Prince / Choreo: Gillian Lynne
Role: Slavemaster / Il Muto T4F Argentina
01.2009 – 10.2009
Musical - Varieté
La Rotativa del Maipo
Teatro Maipo, Buenos Aires, Argentine.
Dir: Ricky Pashkus / Choreo: Gustavo Carrizo
Role: Singer / Moderator / Dancer
10.2008 – 03.2009
2008
National Ballet
Ballet Argentino
Company Dancer – Argentinian Ballet
Productions: Carmen / Vivaldi in Concert / Pulsations / Besame Mucho / Tango
Dir. Lidia Segni
Show on Tour – Buenos Aires, Argentine.
01.2008 – 03.2009
Contact
Social Media
E-Mail
ivankeim@hotmail.com
Based in
Düsseldorf, Germany
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