A young, inexperienced woman meets the British aristocrat Maxim de Winter, the man of her dreams. A passionate love affair quickly blossoms between them, and before long her life seems like a fairy tale come true. Maxim marries her and takes her to his country estate, Manderley. But behind its elegant, seemingly enchanting façade lurks a dark shadow from the past—in the form of Maxim’s late wife, Rebecca. And Mrs. Danvers, Rebecca’s former housekeeper, whose unwavering devotion to her former mistress remains unbroken, does everything she can to make life at Manderley unbearable for the new Mrs. de Winter…
A musical by Michael Kunze and Sylvester Levay • Book and lyrics by Michael Kunze • Music and orchestrations by Sylvester Levay • Based on the novel by Daphne du Maurier
Grease tells the story of Danny Zuko, the cool leader of the “Burger Palace Boys”, who had a summer romance with sweet, naive Sandy. When school resumes, he’s shocked to find Sandy has transferred to his school. Trying to protect his image, Danny pretends their romance meant nothing. As tensions rise, the two must navigate pride, peer pressure, and true feelings.
The Rock’n Roll Musical Book, Music and Text by Jim Jacobs and Warren Casey. Music arrangement by Robert Stigwood. German Adaptation by Frank Tannhäuser.
In the perfect “One State” created by the surviving humans after a global catastrophe, happiness and harmony reign supreme. Everyone has a serial number, a uniform, and a glass apartment. The talented engineer D-503 believes this way of life to be ideal — until he encounters the mysterious and beautiful I-330. She awakens uncontrollable ancient instincts and passions within him, leading D-503 to a terrifying discovery: there are people determined to destroy humanity’s last remaining stronghold.
The dystopian novel We by Yevgeny Zamyatin was written in 1920 and immediately banned in the USSR as “subversive” and “anti-ideological.” First published in English in 1924, the novel inspired writers such as Aldous Huxley and George Orwell to reflect on the nature of dictatorships and their dark futures. In her opera, specially composed for the Oper Dortmund, contemporary composer Sarah Nemtsov creates a powerful reflection on Zamyatin’s vision of a sterile “Brave New World,” where the most natural human emotions — empathy, friendship, and love — struggle to preserve their right to exist.
World premiere / Commissioned by the Oper Dortmund • Opera in five acts by Sarah Nemtsov for nine solo voices, choir, orchestra, instrumental soloists, and electronics • Libretto based on We (МЫ/We) by Yevgeny Zamyatin, compiled by Sarah Nemtsov and translated into English by Oleg Krokhalev • Performed in English with German surtitles.
Marylou, the daughter of a bankrupt film producer, travels to southern France and discovers in a grand hotel a fairy tale full of extraordinary characters: an eccentric infanta, her vain fiancé, and a hotel owner working undercover as a waiter. Paul Abraham’s versatile music, ranging from waltz to foxtrot, accompanies the story, which ends happily.
Comic operetta in two acts by Paul Abraham with a prologue and epilogue based on Alfred Savoir by Alfred Grünwald and Dr. Fritz Löhner-Beda. Stage reconstruction of the music by Henning Hagedorn and Matthias Grimminger. In German with surtitles.
The members of the Theater Dortmund participatory orchestra YoungSymphonics have created a new program featuring well-known melodies from opera and operetta. The special twist: unlike a traditional concert, where the audience is expected to remain seated, this event actively invites everyone to dance along. Guided by dance coach Ivan Keim, audiences will discover the joy of waltz, rumba, quickstep, and tango — an immersive musical journey experienced through movement.
Dancing to classical opera and operetta music • A participatory project by the Oper Dortmund.
BIO I was born and raised in Mendoza, Argentine. After school, I moved to Buenos Aires, where I attended the UNA – National Art University and the National Ballet & Modern Dance Conservatorium. I furthered my formation at the Theater & Musical Theater School and the national Circus School. I’ve developed my artistic career in Latinamerica and Europe.
I moved to Paris, France, in 2011 and since 2013 I live in Düsseldorf, Germany.
and 5, 6, 7, 8 !
Of all the art forms which I have learned throughout my career, dance is by far my biggest passion. Having begun with a base of classical ballet, the time at the Argentine National Ballet marked my way. After the Ballet times, I’ve enjoyed the dance from many different sides: Modern Dance Companies – TV Shows – Publicity – Show Business.
I’ve been creating also as Choreographer since young ages. In 2018 I founded Tempecy – Modern Dance Company, with base in Estonia. With this Company I have been able to use all art forms I’ve learnt to develop my work in a more well rounded way as a Director and Choreographer.
TO BE, OR NOT BE…
Mother – Actress. Father – Actor…
it’s easy to see that the theatre is in my blood!
As Actor and Musical Performer, I’ve played main roles in musicals as The Phantom of the Opera, West Side Story, Kiss Me Kate, Evita, Chicago, My Fair Lady, Hairspray, Wicked, Fiddler On The Roof and Romeo & Julia, and in plays as A Streetcar Named Desire, The Tempest, The Robbers, Shakespeare and The Queen and Lysistrata, among others.
Acrobatic background
I discover myself as an aerial artist at the age of 22. Yes, quite late, right? But that didn’t stop me to go my way. As Circus Artist, I’ve performed for diverses Circus Companies, as Circus Pikard (AU), Les Arenes de Nanterre (FR), Circus SOQ (AR) and important acrobatic shows all around Europe and Latinamerica. In 2015 I represented Germany at the International Circus Festival GOLDEN KARL 2015, in Riga, Latvia.
FITNESS – the other side
I’ve also developed myself in the fitness branche. I discover my passion in the fitness world when I was 16 I never stopped spreading myself there since then. From the classic versions of step and aerobic classes until nowadays, I’ve discovered my own way of connecting my dance knowledges with the fitness market and today I develop my place in the Fitness Industry, international level.
Training for show and competition groups.
Choreographies for shows and competitions.
Lyrical Jazz / Jazz / Show Jazz / Contemporary / Technical Training – Adults / Juniors / Kids.
Training for show and competition groups.
Choreographies for shows and competitions.
Lyrical Jazz / Jazz / Show Jazz / Contemporary / Technical Training – Adults / Juniors / Kids.
Theater Bonn, Bonn, Germany.
Dir: Gil Mehmert / Choreo: Kati Farkas
Role: Ensemble + Tango Dancer
03.2018 – 06.2018
Operetta by Franz Lehár
The Count of Luxembourg
Deutsche Oper Am Rhein
Düsseldorf / Duisburg, Germany.
Dir: Jens-Daniel Herzog / Choreo: Kati Farkas
Role: Dancer – Black Swan
11.2017 – 05.2018
Musical by Cole Porter, Samuel & Bella Spewack
Kiss Me, Kate!
Neue Operette Düsseldorf
Dir: Polanca Olszac / Choreo: Iván Keim
Show on Tour, Germany.
Role: Hortenio / Paul
03.2018 / 09.2018
Dance Camp / Seminar
Shaté Summer Dance Camp 2018
Training for show and competition groups.
Choreographies for shows and competitions.
Lyrical Jazz / Theater Jazz / Show Jazz – Adults / Juniors / Kids.
Teatro Opera City, Buenos Aires, Argentine.
Dir: Harold Prince / Choreo: Gillian Lynne
Role: Slavemaster / Il Muto T4F Argentina
01.2009 – 10.2009
Musical - Varieté
La Rotativa del Maipo
Teatro Maipo, Buenos Aires, Argentine.
Dir: Ricky Pashkus / Choreo: Gustavo Carrizo
Role: Singer / Moderator / Dancer
10.2008 – 03.2009
2008
National Ballet
Ballet Argentino
Company Dancer – Argentinian Ballet
Productions: Carmen / Vivaldi in Concert / Pulsations / Besame Mucho / Tango
Dir. Lidia Segni
Show on Tour – Buenos Aires, Argentine.
01.2008 – 03.2009
Contact
Social Media
E-Mail
ivankeim@hotmail.com
Based in
Düsseldorf, Germany
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